He suffered serious injuries, however, he never left the frontline until the end of the war in 1988 when he left military life.Īuthor Raheleh Saburi spent a year finding Kazemi to write his memories of the war in “Naqqash’ha Alley”, which was published by Sureh-Mehr in 2010. Kazemi returned to the frontline and was selected as the commander of Meisam Battalion, taking part in several operations, including Operation Karbala 5 and Operation Karbala 8. He was a close friend of Vesali, the leader of Dastmal Sorkhha, an Iranian guerilla group that joined Mostafa Chamran, the chief of the Iranian volunteers, in fighting a war against the separatists in the early 1980s.Īfter being captured by the separatists, he was on the verge of execution. Kazemi was buried in Tehran’s Behesht Zahra Cemetery on Wednesday.Īfter the war broke out, Kazemi joined volunteers, fighting against separatists in the Kordestan region in battalions commanded by Asghar Vesali, Mostafa Chamran, Qasem Dehbashi and Mohammad Borujerdi. His death was reported by several Persian news websites, which gave no details about his illness. That particular documentary knocked my socks off.TEHRAN – Veteran Seyyed Abolfazl Kazemi, whose memories of the 1980-1988 war were published in “Naqqash’ha Alley”, died on Monday at his home in Tehran after suffering from a chronic illness. I love everything they’ve done, in particular “ Magic & Bird,” which went into the rivalry between Magic Johnson and Larry Bird. One the best things I ever worked on was “Rock and Roll.” And HBO has been the centrifuge of my career and has been such incredible experience for me. Any favorite voiceover projects over the years? The reality of our profession is that we’re the instrument of the writer, and I think that approach lends itself to voiceover: parsing the text and understanding the writer’s intention and ambition. When I first started, that kind of more classical delivery took me out of the ethnicity, which might have been a good thing. I’m a classically trained actor, so of course that appeals to me. I’m a fan of John Facenda: “As they galloped across the field in Minnesota …” that kind of epic poetry. I naturally have a kind of more ethnic New York sound when I’m doing sports. My mom says she doesn’t recognize my voice. Do you use different deliveries for different voiceover genres? Ross Greenburg heard me on “Rock and Roll” and brought me into HBO. I got discovered by HBO Sports and that was an incredible training ground for me. The narrator has a real responsibility for the tone. In a cast, that’s sort of spread out among the players. It’s a much bigger responsibility to hold the narrative, for driving its credibility. You’re not in control the same way you are when you’re on-camera. Is voiceover work more difficult that acting on-screen? What I’m really doing is reading other people’s scripts. is usually the last kind of creative impulse. With voiceover jobs I get a lot of credit for stuff I have very little to do with. I guess thought I was 40 or 50, and he was really shocked when he found out I was 25 or 26 and he was brave enough to take a risk on me. ![]() He either saw me, or someone he knew saw me in a Shakespeare play or heard my voice. I think one of the most exciting moments for me was when a guy named David Espar from WGBH made “Rock and Roll”. I guess one of the things that probably led to me staying in the business were my low expectations. It seemed like a great gig - you sit in a room, nobody sees you, you read and you go home. When I first got into acting, I really hoped and prayed that one day I would be able to get into voiceover. Did you ever think your voiceover career would work out this way? Schreiber, 49, answered a few questions from The Post about his voiceover career. “Liev was perfect - his talent and skill as a dramatic actor adds a natural rhythm that drives the narrative and creates peaks and valleys,” says Joy Galane, VP of Post Production, Smithsonian Channel, of Schreiber’s work on the network’s documentary “ America in Color.” “His voice lends itself to a rich delivery adding a compelling, even mesmerizing quality that draws the viewer in.” Schreiber’s dulcet tones can also be heard narrating dozens of documentaries on networks including PBS, National Geographic, Smithsonian Channel and History Channel. Schreiber has lent his pipes to dozens of documentaries and commercials, and, since 1995, has been the main voice of HBO Sports documentaries including “Countdown,” “24/7” and “ Hard Knocks.” “Along with his incredible voice, he brings a passion for storytelling to every project he narrates for us,” says HBO Sports VP/senior producer Bentley Weiner. You might know busy actor Liev Schreiber from his Emmy-nominated starring role on Showtime’s “Ray Donovan” - but what you might not know know is that he has a thriving second career as a voiceover artist.
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